Upcoming Style Workshop

Andrew Klein will be offering a workshop on “improving writing style” this Wednesday evening at the Center for Written, Oral, and Visual Communication. I recommend it if you have time to go! Here’s his description, as sent out to all FWIS instructors:

I’ll be teaching a workshop on “Style” at the CWOVC–Fondren 201–this Wednesday, from 7:00 – 9:00. It’s designed for undergraduate students who are seeking to improve the clarity of their written work. It will address aspects of academic writing at the sentence, paragraph, and text levels so as to enable students to produce smooth, readable prose that takes the reader from sentence to sentence in a coherent manner. I won’t claim that it will solve your student’s writing problems, but it should be able to offer them a few concrete strategies to improve their clarity. All students are certainly welcome to sign up, but it will be particularly helpful for those who have trouble at the level of the sentence. If you have anyone in your classes this semester who you think might benefit from this, please encourage them to attend.

So this is me, encouraging you to attend!

Crisp Reading Questions

Next week’s reading assignment is James E. Crisp’s Sleuthing the Alamo. Before you jump to Chapter 1, be sure that you read “Pride and Prejudice: A Personal Prologue” (pp. 1-25). I think you’ll discover that every single one of you has something interesting in common with Dr. Crisp.

As you read the Crisp book, here are some questions to consider. You should write a response to one of these prompts in your Google Doc as usual.

  1. Why doesn’t Crisp think that “Anglo racism” is a sufficient explanation for the causes of the Texas revolution for independence? Do you agree with him that “racism” was not the “core explanation” (p. 45) of the Texas Revolution?
  2. Crisp believes, unlike Bill Groneman, that the De la Pena diary is both authentic and reliable. Do you agree on both counts? (Note that these debates attracted attention from national newspapers like The New York Times when they happened in 1998.)
  3. How did Davy Crockett die? (Be sure to use specific evidence and arguments from the book to support your answer.)
  4. Why do you think Crisp’s critics (discussed in Chapter 4) care so much about the way Davy Crockett died? Do you think it matters how he died? (Again, use specific evidence from the books to explain and support your answers.)
  5. In the afterword, Crisp discusses Michel-Rolph Trouillot’s theory that making history can be broken down into several “moments”: the creation of facts, the assembly of facts, retrieval of facts, and the delivery of facts. Does this view mean it is impossible for historians simply to get to “the facts” of the matter without their own perspectives getting in the way?
  6. Crisp begins and ends his book by talking about a family photograph that has been cut in half. He believes it is important to point out that figures like Juan Seguin and Jose Enrique de la Pena have been cut out, so to speak, of our pictures of the Texas Revolution. Should we put such figures back into the picture when we teach children about the Texas Revolution?

Image credit: “Crockett at the Alamo,” from The Idle Hour Book, or Scrapiana; Being a Nerve-Worker, Care Destroyer, and Genuine Countenance Disturber . . . Containing all the Information Necessary to Raise a Laugh at the Shortest Notice. . . . New York: Turner & Fisher, ca. 1848. Texas Collection Library, taken from this online exhibit about the De la Pena diary at the University of Texas. The whole exhibit is worth a look if you’d like to see some images and historical sources about the Texas Revolution, the Alamo, and the diary.

Crockett craze photos

As you prepare to discuss Davy Crockett tomorrow, you might also be interested in looking at these photographs from Life Magazine about the Crockett craze of 1955. There are lots of great shots of kids “playing” Crockett, as well as factory workers mass-producing coonskin hats and other Davy merchandise. Here are a couple of examples.
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